Wilderness Journal issue #045

This special 50th Anniversary issue of Wilderness Journal brings an infusion of energy and beauty, a reminder of the crucial need for imagination, hope and bravery. 

Stories span Wilderness Society’s history in Tasmania—from the fragile and beautiful South Coast Track on an expedition with the best and brightest of the next generation of campaigners and activists, to the successful blockade at Farmhouse Creek, the fortieth anniversary of which was recently celebrated at our Davey Street headquarters.

We also celebrate the Wilderness Society's rich history of campaigns in the vast ecosystems of the Simpson Desert, the Nullarbor and the Great Australian Bight, which shine in Bill Doyle’s photographs, made alongside Wilderness Society South Australia.
 
Please enjoy the trip!

Above: photograph from the South Coast Track expedition by Luke Smith.
 

 

Wild and free—the South Coast Track

An expedition diary by Ella McGlashan
Introduction by Jimmy Cordwell; illustration above by Tilly Anderson.

Shuffling into Deadman’s Bay camp, the name felt so appropriate. I was completely exhausted, following the long-haul ten-hour crossing of the Ironbound Range. This was my ninth traverse of the range—and along this fantastic stretch of coast—and the fourth trip leading one of our Society’s BioBlitzes (a BioBlitz being a citizen science-led activity focused on documenting plants, animals and fungi in a targeted area: in this case, the threatened South Coast Track). 

Photograph by Fynn Hyland.

This traverse was through dense cloud and horizontal snow. At times, my teammates faded away into the cloud cover and scorparia dominated bush only a few metres ahead of me. My energy depleted, I managed to slowly erect my tent on a moderately moist flat patch of Earth, said goodnight to the crew, and collapsed into bed as the cold finally got to me. I emerged 36 hours later into a sliver of sun, with six days still to go and the only option: to keep on walking. One of the team, Ella, wrote about our experience together: how the landscape and the life that calls it home brought us together, and what could be in store for its future.—Jimmy Cordwell


 

Photograph by Jimmy Cordwell.

A diary from Ella McGlashan: Day one

Packed and ready, we drove to Cambridge. The plane I boarded had six passengers and one pilot.
Flying past Federation peak made me understand why it’s such a deadly place. In the words of Sir Edmund Hillary: “It’s Australia’s only real mountain.” 

Photograph by Marlo Fegent.

I imagined the wind pushing us into its quartzite spire, and the plane being speared like a fish. Each turn and tilt made my stomach lurch. We could just fall out of the sky, I thought. After circling a valley surrounded by mountains, we thudded down to earth and sped along the white gravel runway.

Photographs by Luke Smith, left; Ella McGlashan, right.

Day two

Sunrise swim with a leopard seal
Beaches and leeches and mist-draped red hills
Like a cape covered in frills
Westerly winds
Sideways rain fills each ear
Keep walking to stop the chill
Set in, lunch mountainside
Mountain bread, ripped to shreds
Tuna from a packet and parmesan
Wet socks sheltered in wet boots
Bog dodgers, track braided, my hair matted
Are my hands getting tanned or just permanently dirty?

Day three 

Photographs by Jimmy Cordwell.

Coastal walk, I’d thought. No need for alpine gloves. Then, traversing the Ironbounds we were hit by a blizzard—sideways hail, snow and the rescue chopper thundering past. Stranded between those ahead and the rest behind, I wondered whether it was one of us in the chopper. Fingers numb and fog obscuring the path, I thought if I die, I’m satisfied with my life—and what a dramatic place it would be to go. A mountain range rising from the sea, dusted with snow. Shimmering beaches below.

Photograph by Dominic Neary.

Hiking is when I’ve come closest to death. I’ve nearly drowned in the Gordon River and on the Overland I waded snow all day, making it to a hut as last light faded. Life in the city is a cocoon by comparison, help never far away. 

Arriving at Deadman’s Camp, we felt like dead men. The Ironbounds had punished us. I had hurt my knee on the final descent and Jimmy’s cold had gotten worse.

Photograph by Tilly Anderson.

Day four

We decided to use our rest day. To pass time, Tilly suggested writing prompts; everyone gave a word to include. I wrote a saucy story—the words were: pinch, warm, wave, jacket, sedge. Embarrassed, I read it aloud.

That night, Luke got a bad burn. He was boiling water, but the pot tipped over onto his foot. He ripped off his sock, but the skin was already lifting off. Marlo tended his burns, morning and night, like a war nurse.

Photograph by Ella McGlashan.

Day five

There was no choice but to limp on—nursing knee injuries, chest infections and second-degree burns. We documented everything we could: orchids, birdlife and noted the hut development sites.

Behind all our discomfort was an immense, perfect and endlessly breath-taking backdrop. The sounds of golden whistlers, waves crashing and quartzite crunching underfoot soothed my pain. A freak wave that tried to pull me and Jimmy out to sea. Dom took a picture, rather than helping us.

At the blank lagoon crossing we huddled under a tarp, waiting for the group ahead to finish with the boats. Luke and Fynn rowed me across; I felt like an Edwardian lady. I laughed uncontrollably at Fynn’s broken paddle and we went round in circles as a result, he yelled private school boy rowing chants and pretended to be in Pirates of the Caribbean. On the other side, morale was low, the driving wind and rain had defeated us and we decided to set up camp. Jimmy said he’d never seen the campsite so wet. I’d been still for so long that I’d gotten colder than I had in the blizzard. After setting up the tent, I crawled into bed with every layer of clothing I had but still couldn’t get warm. Dom cooked dinner and brought me a hot water bottle, and I finally started to defrost.

Photograph by Dominic Neary.


The next morning, we woke soaked. Right above the label on my tent floor boasting its waterproof rating, there was a puddle.

Day six

After the now well-practiced routine of porridge and tea, tooth brushing and tent pack-up, I finally had to face pulling on my cold wet socks and boots. The anticipation was the worst part, but once you start moving, they warm up quick.

From our stone Zen-garden campsite, we watched Fynn head out for abalone. He was finally getting to use the snorkel he’d had slung to his pack the entire way. He returned empty-handed in his underpants, and was borderline hypothermic.

I don’t have the skills to hunt my own food, lost in layers of industrialisation and modernisation. Replaced by packet-dehydrated food, gas stoves and lighters. Good on Fynn. We overcomplicate everything—high-tech, ultra-light gear, made on the other side of the planet, only to be shredded by a rat, hankering for your last bit of scroggin. Though thanks to RecipeTin Eats, the tradition of baking has not been lost. Dom’s homemade muesli bars were incredible. After a day’s walking we would crawl into bed and while munching them, show each other the day’s photos. Then I would read a chapter of my book aloud. Life doesn’t get much better than this.

Day seven

Cloud, Angel, Kelp

“Walk to the coast and when you come to the rock pools, head into the dunes,” said Mum, as she coughed into her handkerchief and patted my head. I cradled a small glass jar in one hand and her pencil-drawn map in the other. I rockhopped along the beach, my bare feet slipping on sheets of kelp.

At the rock pools, I pressed my fingers into the soft, sticky mouths of red sea anemones. I wiped my hands dry and climbed up the dunes. A narrow path wound through coastal wattle and led me to a driftwood shack. It was decorated with colourful buoys and rope. I knocked on the front door, but no one answered. As I bent down to leave the jar, I heard a low groan. I looked through the window and saw someone lying on a bed.

Photograph left by Luke Smith; right by Dominic Neary.

“Come in, the door’s open,” she said.

It creaked as I pushed it open. Inside, there were no walls to divide the single room. A blackened wood stove lent against one wall, in the centre was a small table and chair, and tucked in a corner, she lay in her single bed. Her eyes and mouth were pinched closed.

“Hello, Mum sent me,” I said.

She groaned and beckoned me to her side. I knelt by the bed. Her face was etched with deep wrinkles, skin dark and dotted with sunspots. She opened her eyes and smiled—cloudy blue. She pointed at her back.

“Would you be an angel and rub some of your mam’s ointment on Maude’s back?” She rolled onto her side and lifted her shirt a little way up. I unscrewed the lid and scooped some out.

It smelt bitter and familiar. I spread it with my small hands and rubbed it into her skin. I had watched my mother do it for visitors many times. Maude sighed, I screwed the lid back on. She rolled over and grinned at me.

“Thank you dear.”

Day eight

Bittersweet like orange peel. Could I keep walking forever? Do I have to go back to emails and petrol and fear? Where can I draw the finish line? Sand homebound in my boots, the landscape a porous membrane. I had sunk into my own footstep rhythm, but I was missing a few things: kisses, my garden, fresh carrots and lemon. The walk went in deep—months on, if I catch a whiff of bush smell or currawong’s call, I’m back. Walking the mud, on a buttongrass plain that stretches into the black, to the darkest night I’ll ever get. Starshine to remind me of creation. Our universe, planet and this body of mine. Take care of it, it takes care of us.

Photograph by Jimmy Cordwell.

 


The proposed developments on the South Coast Track are facilitated by the Tasmanian Government’s Parks Privatisation policy. For over ten years this policy has actively encouraged development in places like the Tasmanian Wilderness World Heritage Area, most notably the Lake Malbena/Halls Island controversy that we and our allies have fought off on the state and national stages for a decade. 

The plans to develop the South Coast Track were recently sold to a new owner, Intrepid Tourism. We’re getting mixed messages on what the future of the track could be: Intrepid are publicly known for their long-standing and well-publicised environmental credentials and commitment to responsible tourism. Yet recent (9 February) correspondence was received by the Tasmanian government from the proponents, advising that it is intended that the South Coast Track Huts Walk will still continue to be progressed. Mixed messages from the government and developers, but clear from ourselves: the plans to develop the South Coast Track need to be scrapped now, as does the parks privatisation process which makes it all possible.

Our BioBlitzes have been documenting the natural values—focusing on endemic, rare and threatened species—all along the track, with focus on the proposed development sites. But, it also gives young Tasmanians a chance to experience and build a special relationship with this wild and remote corner of the continent, creating unstoppable advocates in the process. It’s not just a crucial part of our campaigns—watching the creativity and drive from our BioBlitzers remains one of the most rewarding experiences of my time with the Wildos.—Jimmy Cordwell

Photographs by Jimmy Cordwell. BioBlitz team names (L to R of tree photo): Top: Ella McGlashan, Tilly Anderson, Luke Smith, Fynn Hyland; Under banner: Marlo Fegent & Dominic Neary.

Watch a short film by Marlo of the expedition to the South Coast wilderness below, plus tackle the South Coast Track yourself with the Wilderness Society's walking guide. 

 

Postcards from a life celebrating the wild

Sturt's desert pea in Vulkathunha  

Bill Doyle has worked alongside the Wilderness Society South Australia for more than 25 years on wilderness protection, frequently in the role of photographer. Here, he shares images from his archive and the stories behind seven historic South Australian conservation wins. 

Photographs by Bill Doyle. As told to Meg Bauer. 

“Bill Doyle has photographically documented our wilderness expeditions and community events for over a generation. Such a valuable archive and important contribution.”
—Peter Owen, Director of Wilderness Society South Australia

"Like waking up!"

When I was eight, I went to Woomera—back when Woomera was still a restricted area and you had to have a permit to go in there. I was staying with my great-uncle, who was a fairly eccentric character, and we went out in his Kombi, into the gibber country north of Woomera—we are talking seriously nowhere here. 

And I remember: we approached one red dune, which also had sort of gibbery, red rock material on it. All I can describe it is: it's like waking up. 

Like, you suddenly go: oh, hang on, I'm really here—I'm really in this place. And this is amazing. You know: this is just such an extraordinary place: the sky's really blue, the rocks are really red. There were all these green (what I now know were) Dodonaea on this dune... And it was just fabulous. 

Bill Doyle photographed by Rachel Knepfer.
Stony desert and Kombi in Woomera.
Belair National Park. 

Then, a couple of years later, I was walking through Belair—as I grew up next to the Belair National Park—in the hills, on a beautiful day, and the ‘waking up’ experience happened again. When I was eight, it sort of happened and then went away. When I was 10, it happened and then never really left.

I've seen it described as alpha states, or the oceanic feeling—things like that. It's such an essential part of who I am. I know that if I spend too much time in the city, and too much time getting overwrought about stuff, I need to go and be in nature for a while: to just reset and re-establish my way.

The engagement with nature has always been huge for me. Growing up next to the Belair National Park, I just spent every weekend out there—Mum essentially just gave up on trying to know exactly where I was. It was: just be home for dinner. And I was off, biking around the park with mates. That was just completely formative for me.

But I will also say that in my day job, because I run a local native nursery, just being in there is great, around all these seedlings. I mean, it's quite possibly because I’m inhaling significant amounts of oxygen as well!

I've been running a revegetation program for 25 years in the northern suburbs of Adelaide. We do projects of our own, but we also do a community revegetation program for rural property owners, and we distributed the 300,000th seedling last year. 

It’s important work, but I want to see the full protection of all large, intact functioning ecosystems that remain. As much protection as we can—particularly from the oil and gas industry. It seems insane to me that in the era of global warming any of that is still happening. I also would like to see more people working on this stuff.

 1. Vulkathunha-Gammon Ranges

The first time I really got involved in the Wilderness Society was during the campaign to remove a mining company from the Vulkathunha-Gammon Ranges National Park. At the time, BHP was selling a lease it held inside the park (!) to a small-time mining outfit—the money it stood to make wouldn’t even be a rounding error for BHP. A mining truck route was being proposed through the Weetootla Gorge, through to a pool that happened to be the only home of the purple-spotted gudgeon, and an open-cut magnesite mine was to be created adjacent to it.

I’ve been using a camera for forever, but it was during the Gammon that I started taking photos of the area specifically to get people to understand what they stood to lose. At the time, it was seriously remote—and it’s hard to get people to care about something they can’t see. 

Ed: In 2001, after years of campaigning, the Environment Minister of the time (Mr Iain Evans) announced permanent protection of this 128,000-hectare national park. 

On the trail to Bunyip Chasm (L) and Weetootla Springs (R) in Vulkathunha.
Cockatiels at Weetootla.

2. Coongie Lakes

Cooper Creek, Coongie.

Our initial trip to Coongie was extraordinary: we had originally attempted to drive up the Strzelecki Track to Innamincka, but found it was closed due to flooding. 

This was the era before road closure signage was operated remotely, and we managed to double back to travel around the eastern flank of the northern Flinders Ranges via     Balcanoona before that road, too, officially closed shortly afterwards.

Corellas (L) and the shore of Coongie Lake (R).

By the time we arrived at the lake (after some fishtailing adventures!) the light blue paint job of the trailer we were towing was invisible under a thick coating of dark reddish mud.

We arrived just in time to see the storm pass off to the north east, and were treated to the sight of a brilliant rainbow above the milky surface of the lake, all set against the darkest of skies.

Unforgettable!

3. Yellabinna

The Wilderness Society SA successfully attained a 500,000ha Wilderness Protection Area in the Yellabinna Regional Reserve. We jointly organised a letter writing campaign in support, that was the largest the Dept. of Environment’s office had received to that date. I know this because the Minister later expressed some dissatisfaction to me about this inundation!

Big narla pools, Yellabinna.
Yumbarra wildflowers (L) and Ooldea mallee.
Campaign banner at Mount Finke.

4. Nullarbor

Lake Ifould shoreline.

It’s been a real privilege to have undertaken several Wilderness Society journeys to the extraordinary expanses of the Nullarbor, as part of both the Bight and Nullarbor campaigns.

Weeping Myall at Lake Ifould.

There’s an anecdote that comes to mind that highlights the uniqueness of this famously flat landscape: our group had driven out on park tracks from the Nullarbor Roadhouse to inspect the beautiful and culturally significant Murrawijinie caves. 

I happened to have my GPS with me, and had logged the roadhouse’s position. At the start of the return journey I asked my fellow passengers to estimate the straight line distance to the roadhouse, whose buildings could be clearly seen to the south east.

Most estimates were 2-3km. The maximum guess was 4. The actual distance? 11km!

5. Great Australian Bight

In the early days of my involvement, it was generally assumed that all campaigning was done by getting 500 people to stand outside of Parliament House. I think things have definitely moved on—now, we’re creating highly memorable media events. The paddle-out to Victor Harbor was just fabulous. The ability to create events that engage media attention has become more of a focus and has been very successful. 

The Fight for the Bight campaign. Top row (L-R): Peter Owen engaging with the community; National Day of Action (2019); Uncle Bunna and Peter at Victor Harbor paddle-out (2019). Middle row (L-R): Hands Across The Sand, Glenelg (2016); Light for the Bight; Fight for the Bight, Victor Harbor (2019); Bottom row (L-R): Victor Harbor (2019); Operation Jeedera: Jeff, Uncle Bunna, Peter and Bob Brown aboard the MV Steve Irwin in Port Adelaide; Hands Across The Sand, Glenelg (2016). 

Some of my favourite photos from this campaign are of Uncle Bunna doing a whale calling / smoking ceremony on the edge of some pretty spectacular—and steep—cliffs! 

Senior Mirning Elder and Whale Songman Marbanu Uncle Bunna Lawrie in ceremony.
Bunda Cliffs and head of the Bight from Koombra.

Ed: With massive community backing, we've been keeping Big Oil out of the Bight for over a decade now—forcing fossil fuel giants BP, Chevron, Equinor and Santos to abandon plans to drill there. The next push? World Heritage protection for the spectacular land and sea Country of the Nullarbor and Great Australian Bight. 

6. Arkaroola

Ten years after the Vulkathunha-Gammon Ranges campaign, the adjacent Arkaroola Wilderness Sanctuary was also threatened by mining. It was a substantial fight getting this much-larger mining operation to quit the project, in collaboration with the owners and the Wilderness Sanctuary. It took four years, and now we have a completely protected sanctuary—over 60,000ha directly adjacent to the already protected Vulkathunha National Park, making nearly 200,000ha of fully-protected wild landscape all up.

Euro (wallaroo) near Bolla Bollana creek.
Sillers Lookout, with a view to Freeling Heights and Mawson Plateau in Arkaroola.
Yudnamutana Gorge (L) and Nooldoonooldoona Waterhole (R). 
Bill with Pete and Matt on Freeling Heights in Mawson Plateau, Arkaroola.
Bill (L) dressed as a 'Drill Baby Drill' cowboy for an action at Parliament House.

7. Simpson Desert

Bill Doyle.
Munga-Thirri wildflower garden.

It was extraordinary getting to the Simpson on a year that it had rained—seeing the desert with actual lakes between dunes, and wildflowers going on forever. That was also quite the expedition in terms of physically getting across there—an adventure in its own right!

Ed: The campaign to protect the Simpson was long-running, and resulted in the declaration of Australia’s largest national park, the Munga-Thirri—Simpson Desert National Park, in 2021. 

Bill Doyle.
Bill dune jumping in Dhilba Guuranda, Innes National Park, in the '70s.

See more of Bill's work in Together for wilderness, an exhibition presented by The Wilderness Society South Australia. The photographic display in the beautiful wisteria arbours of the Adelaide Botanic Garden highlights the incredible wildlife, land and seascapes of the Nullarbor, Lake Eyre Basin and Great Australian Bight. Until 31 May 2026.

 

Farmhouse Creek, 40 years on

"Post-Franklin days, there was this perception that the wilderness had been saved. And that wasn't the case. If anyone knew about Tasmanian wilderness, there was a lot more to protect. Around about the mid-'80s, Bob Brown and others said, 'Well, you know, we've got to protect the forest in Tasmania...'" —Ted Mead.

Forty years ago, a landmark campaign for a young Wilderness Society saw the successful protection of the forests of Farmhouse Creek from destruction by the timber industry. Forty years later, we gathered at Davey Street, Hobart, for a reunion to share stories and hear about the Wilderness Society's ongoing work.

Photographs by Rex Direen; words: excerpts from the pages of 'For the Forests', by Helen Gee, published by Wilderness Society in 2001; as well as stories shared in person at the  recent anniversary at Davey Street.

Bob Brown (excerpt from For the Forests, Helen Gee, Wilderness Society, 2001): "To cut a long story short, we had hundreds of people coming into the camp. We decided the best place for the camp was right in the way of the proposed road across the Creek.
 
"Alec was a bricklayer and bulldozer driver, with abseiling expertise. He had arrived out of the blue and went up the tree to a platform 40 metres up. The furore raged to and fro and he was there for three weeks.
 
"A wide cross-section of the community backed us. I have a strong recollection of Ralph Hope-Johnstone who died in 1990, in his sportscoat and tie and a suit and polished shoes, in the mud on the other side of Farmhouse Creek. An old man with his brolley, in the rain, just standing there for a whole day. His solidarity. He'd spent all his life as a Hydro engineer, a conservative. Now he was down there with his brolley, done up to the nines, standing there all day with all the conservationists in the bush.
 
"To jump ahead, by the end of the Farmhouse Creek campaign, they had effectively clamped the exclusion zone back to the Picton Bridge and the media toed the line, so the blockade was occurring out of sight, with no publicity. Before that, two things happened. I was walking with Judy Richter and Hugh McLean, an ABC journalist, on top of the hill before you go down into Farmhouse Creek. He was to do an interview. It was getting dark; a car with pro-logging vigilantes cruised past. We knew it was dangerous; people had been threatened already. It came past on the other side of the bus and one of them yelled out, 'Are youse Bob Brown?' We didn't say anything; just kept walking. They drove down the hill about 50 metres. There was a branch partly obscuring our line of sight. We saw the car stop. 
From the archives, screen printing artwork and poster for the Farmhouse Creek Rally. 
"The bloke in front got out and walked around to the back of the van and opened it up and he took out a gun. The next thing there were gun shots in our direction.
 
"Hugh, who had been in Vietnam, had an instant warfare reaction; he dropped to the mud. We complained to the police about these guys shooting at us. They were consequently arrested and fined a couple of hundred dollars for shooting on a Sunday!
 
"If it had been the conservationists with the guns they would be still in jail. There would have been a huge furore. This brought home again the bias which the police and courts can direct towards people who are trying to change society.
 
"Another incident that happened at Farmhouse Creek was a raid by two busloads of vigilantes. They were logging workers, but they were brought in by the company heads—Risby, Kemp and others—from Hobart.
 
"A couple of the guys who had chainsaws going drove a chainsaw between their legs, cutting off the trees as the women screamed and cried. The women refused to back off. I've never forgotten their sheer bravery.
 
"We were camped to the south or far side of the creek. The Wilderness Society office in Hobart had been warned by an anonymous phone call in the middle of the night that we were going to be raided in the morning. It was going to be a big raid and it involved people at the highest level. So we got more people down there overnight. I went down too, and sure enough, in the morning the two busloads of workers arrived; they had hard hats on. There were about 40 police. Two big D9 bulldozers came clanking and banging down the hill. Some of us moved into the stony bed of Farmhouse Creek itself.
 
"Alec was 40 metres up a tree which was 70 metres tall, 5 metres to the right of the leatherwoods. The two girls were holding their arms around each other and the leatherwoods. The next thing was the guys took a chainsaw over and started cutting into Alec's tree. Up above the wind was roaring. The whole tree was twisting and bending. For people who've never been 40 metres up on a windy day, the whole thing twists and sways to and fro. If you're not used to it it can be quite a frightening feeling and, well, to have those men starting to chainsaw into the tree..."
 
Alec Marr, left and right.
Alec Marr (excerpt from For the Forests, Helen Gee, Wilderness Society, 2001): "Bob Brown had said that people in Oregon had been sitting up trees in front of the bulldozers singing Franklin blockade songs. Being a caver and a climber I thought I could do that. I started to get seriously organised. I started to go to meetings. Because I was a nobody, I'd wait for my turn to speak and I told them: 'I have heard about the people in Oregon sitting up trees and I think it's a good idea.' People would say not a word, as though I hadn't spoken. This idea of mine was always put as a last agenda item, and then before it came up, people would stand up and leave. Dave Heatley said, 'Get it all organised and we'll see what it looks like.'
 
I got Martin O'Leary to knock up a six-foot platform out of three planks, and eventually we were ready to put the thing up on 25 February. It rained. The only way we could get it up there was by using a bow and arrow and a fishing line over the first limb to drag a piece of cord up. Then we used the cord to drag the rope up the other side. It was raining, so the bowstring got wet which meant it lost all its power, so we spent hours lighting these fires and trying to dry the bowstring in order to shoot the arrow.
 
"It took all day to get the thing up there.
 
"Craig Maddock did the initial climbing to the first limb that we had to get to. The only thing the arrow could reach was a dead branch and we weren't really sure this branch was not going to snap. When he got up there the top of the branch had been crushed by the rope; it was a bit rotten.
 
"We used slats for the tree-sit with masonite as the flooring so that as soon as it got wet, my hip started going straight through the masonite. So after two days I ended up sleeping with my hip down between the slats.
 
"I had another 14 days to go! There were a lot of people camping underneath me. That put a lot of extra stress on the situation. You can't make the slightest mistake or you might kill somebody with a jar of Vegemite.
 
"I rounded everybody up. Luckily Geoff Law came back from overseas. I had met him once but I was such a small player we didn't know each other at all so I just said, 'Look, this is what we are doing. We've done it according to what Dave Heatley and other people said we should do.' We had a dozen or fifteen people and it was really hard work, getting those people. I told Geoff I was going up the tree for a while, that we had a couple of banners we had made, and that we would try to get a bit of television coverage for when they crossed the creek. That was it.
 
"We thought this would take about two days. It went well beyond that. Once I was up the tree, I was effectively out of the action. I couldn't come back down. I had in mind that I was setting out to break the world tree-sitting record, which was 425 days.
 
"This drove the Police Minister, Geoff Pearsall, absolutely spare. I think my tree-sit may have been one of the first in Australia. About six months later, some people in the south-east blockades in New South Wales took it up. Then it became fairly standard practice."
Karen Connellan (left) had previously been dragged from under the blade of the D9 with Bob Brown. 
Left: Ted Mead on tree platform 30m above ground. Farmhouse Creek Protest 1987.
Ted Mead (excerpt from For the Forests, Helen Gee, Wilderness Society, 2001) : "I went up the tree in the second blockade at Farmhouse Creek. In 1986, the police removed the tree-sitters fairly quickly. I was determined not to let that happen again. In 1987, we decided we'd go in early, build the platforms and set them up. There was a collective group of 20-30 people on the ground. We stayed for over two weeks before the police actually came in to investigate and attempt to remove us. That's when we went up the tree, having prepared to be ready for this within minutes. The blockades of 1986 had been a good experience for most people, so that by 1987 we were very well-organised.
 
"We expended enormous effort blockading the road so they couldn't immediately reach us. It was an amazing experience, both collectively and personally. I still think it was one of the best wilderness experiences I have had in my life, being perched in a tree for ten days. That thirty metres height became more like five over that period of time; you just melded with the landscape and the wildlife around the tree. There were some beautiful scenes in it.
 
"Violent storms in February, when the trees would rock around and sway two metres at crown level, and then there were those incredibly beautiful mornings when the mist would float through the trees. After the core part in the blockading activities, I started to put my energy into photography. I thought that it was an appropriate skill I could use. From 1986 through to the early 1990s, I concentrated on unprotected areas, and taking threatened wilderness photos. That's where I thought my contribution should focus. In photography it is easier to portray beauty than horror, so why focus on clearfells, I thought. We all get frustrated by the horror, but people are motivated by the beauty." 
 
Bob Brown (excerpt from For the Forests, Helen Gee, Wilderness Society, 2001): "The police were looking on with their arms folded. Their instructions came from the highest level. In Parliament, Geoff Pearsall, the Deputy Premier and Minister for Police, denied that he'd given the directions. In any case, the Liberal Gray Government knew the blockade was on and must take responsibility for the police standing with their arms folded. One of the policemen told me they'd been ordered to stand aside and not take action under these circumstances. I got out from under the machine and intervened on this fellow who was cutting into Alec's tree; made sure he knew Alec was up there and that they were about to murder him. They had great swagger about them. The fellow in charge of the operation, one of the company heads, then stopped the chainsaw. I got back under the dozer. Then they decided they were going to get us out by force. At that stage there were a lot of people gathered around."
Bob Brown: "One fellow was put in a headlock; Antony thought he was going to die. They grabbed the fellow who was under the bulldozer with us and carted him out by the legs across the rocks and then they grabbed the young woman who had long auburn hair. We were right next to each other, face to face under the machine."
Bob Brown: "They were grabbing her to pull her out and her hair was wrapped around one of the boulders. They were pulling and yanking. Her hair was caught. I was trying to untangle her hair and she was yelling with the pain of this. She was dragged out from underneath and the next thing they got under and carted me out across the rocks and ripped open my shirt, busted my glasses, kicking and hitting. Had television cameras not been on the bank right behind them they would have badly injured, if not killed, people. I've seen this mob in action before and since. It is a hallmark of the Tasmanian logging industry."

Bob Brown: "That was probably the most intense action I've been involved in."

The protesters at Farmhouse Creek, 1986. back row, from left: John Moore, Leon Russo, Greg Cupit, Fiona Fisher, Geoff Dean, Nick Firth, unknown, Tim Firth, Diane Hebblewhite (arm up), Trish Behrend, Howard Duff (in hat), blonde woman writer from US unknown, Michael Tilley, Genevieve Meehan and Chris Bremner. In front of back row: Robert Cartmel (squatting, arms up) and Lisa Greenhill. Centre from left: Gillian Krebs, Keith O'Hara, Karen Connellan, Jill Hickey, Sharon Dunstan. Bill Kent. Rod leFevre. Kate unknown (in hat), Aspen Grimaldi Livici, Michael Cohen. Front row from left. Jonathan Murphy, Andy Peplo, Gerry O'Donnell, Gaby Court, Frith Mitchell, Becky unknown, unknown (standing), John Peacock (squatting), Dave Court (looking up), Zig Mularcyk (arm up), Richard Robinson (standing behind) Peter Brain, Georde Creesmell, Stewart Godfrer, Judy Richter. Apologies to those who have not been identified. Please contact the Wilderness Society if you can help.

27 March 2026

At Davey Street, 40 years later... 
Photographs by Rachel Knepfer.

Karen Alexander, left, and Bob Brown.
Ted Mead (in blue T-shirt), talking with Bob Graham, right.

Bob Graham (excerpt from conversation at Davey Street, April, 2026): “In 1976, I did a trip down Farmhouse Creek. By then, the cavers had been in cutting tracks up the Picton and up Farmhouse Creek and over the Picton Divide, and their tracks were useful in places. It was very sad to come down that track and then go bush and find that the forestry were miles ahead of where they said they would be. So, yeah, they lied to us and deceived us all the way through. At the Wilderness Society, I personally led groups of people to those threatened forests and showed off these huge eucalypts, 12 feet through, 4 metres through.

"At the Wilderness Society, I personally led groups of people to those threatened forests and showed off these huge eucalypts, 12 feet through, 4 metres through, and yeah, we lost them. We blocked the Tahuny Bridge, the concrete bridge over the Picton and the wooden bridge over the Picton, all for one day. And I was on the wooden bridge over the Picton and we had... It's all worked out, this particular day, except the media stunt was going to be blockaded. But we got in early and that evening we set up our tripod and we had the tree-sitter on it and everything...”

Farmhouse Creek slideshow at Davey Street. 

Senator Nick McKim (excerpt from conversation at Davey Street, April, 2026): "I was a young university student and there were a whole bunch of people, many of whom are here tonight, who played a really critical and active role in the campaign. It was kind of the first time, as a young man, that I felt I was part of something that was bigger than I was. And I just want to reflect on how critical it is that, when you come together and you engage in collectivism and you form these bonds, they can awaken something in you. When it awakened something in me, it set me on a bit of a pathway that I'm still on, you know, all those decades later. So that was a really, really critical moment. 

"I remember the day that we did get arrested. It was a very early morning. We were asleep in our tents when the police arrived, and there was somebody— and if anyone can remember who this was or remembers this, I'd love to know who it was. But as we all got up, and the police were coming down, she said: I think we should sing a song.

"And I remember kind of rolling my eyes and saying, I don't really want to sing a song. I feel like we're in a battle here. And then she started singing the Joni Mitchell song about paving paradise to put up a parking lot. She had the most beautiful voice. And as the police marched down on one of those quiet, misty, Tassie wilderness mornings, this voice was just kind of almost a miraculous thing...

"Anyway, they arrested us, carted us off. We got on the bus, taken to the holding cells in the magistrate's court, no lawyers, and then straight into the Court...

"I remember ringing up Mum, once I got out, and saying I just got arrested. She said: you'll never get a decent job again. She was right all along. 

"That forest, as a few people have said, is in the World Heritage Area now, thanks to the people in this room and the dozens and hundreds, actually, of other people that participated in that campaign. And you've seen they're cracking down harder and harder and harder on protests—that's because it actually works and if we lose that, we will lose the lot. 

"So let's stay strong and stay active, because when you marry activism and politics, that's how you get change."

Chris Harries sharing stories at the Farmhouse Creek reunion.

Roland Browne (excerpt from conversation at Davey Street, April, 2026): "I haven't seen a lot of these faces for a long period of time. And I look at the photo of myself and ask myself, what in the world did I think I was doing down there? Because I was really young. I was in, I think, my last year of university. But what I did know is that what was going on down there was really, really wrong. And that was shared amongst all of those amazingly brave people that you see in those photographs, and it's enthralling to see all of those people. And for me, I've moved through the last 40 years of my life in tandem with lots of those people, and out of that particular event, established some wonderful relationships, friendships, people that I just met and crossed paths."

Bob Brown, Davey Street. 
Left: Bob Brown and Ted Mead with Bob's original Franklin River paddles. Right: Sam Starke, one of the founders of the Wilderness Society Tasmania, at Davey Street with Farmhouse Creek archive materials. 

Alice Hardinge (excerpt from conversation at Davey Street, April, 2026): "I want to start by saying a massive thank you to all of you who partook in the Farmhouse Creek protests—and all the other protests throughout the decades. We wouldn't have these World Heritage Areas if it weren't for brave people who stood up for such precious places. The next generations have already benefited. We want to continue this really important work to make sure that generations coming after mine and far into the future also get to enjoy the incredible environment that we're so lucky to have.

"It really is this incredibly beautiful ecosystem; how it is all passed on throughout the generations. 

"But a little bit about the campaigns we're running right now. Giant old growth eucalyptus is still falling in the forest in Lutruwita / Tasmania. Swift parrots are still flying around looking for their hollows, only to find that their homes are gone. And we're still seeing the expansion of inappropriate development into our incredible reserves and World Heritage Areas—building luxury lodges on the South Coast Track, or helicopter tourism to your own private island in the middle of Lake Malbena. 

"I really just want you to know that the battle does continue. We're so grateful for the wins that have happened in the past, but there is still a fair bit more to do. So thank you all for your ongoing support." 

Left: Bob Graham with Hughie Nicklason, Wilderness Society campaigner. Right: Bob Brown with Alice Hardinge, Campaign Manager for Wilderness Society Tasmania. 
 

From the archives: telegrams and letters from the stars of the era, sending 'best wishes for the success of the heroic struggle to preserve the Franklin as one of the great wonders of the world'. 

Famous people sending Love, light and peace, including from Spike Milligan, Manning Clark, Yehudi Menuhin, Melva Truchanas and Patrick White. 
 

 

Thanks to the campaigners, generations of activists, artists, scientists, writers and photographers in this issue. If you have anything from your own archive to share, please get in touch

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We recognise First Nations as the custodians of land and water across the continent of Australia and pay our respects to Elders past and present. We acknowledge sovereignty was never ceded.

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